Narrator

In storytelling, one of the most far-reaching decisions an author must make is how to narrate the story. Or: Who will be the narrator?

While not a traditional archetype, and in many cases not even a participating character, the narrator is never really quite the same entity as the author either. Standard narrator types are:

  • first-person, where usually the protagonist tells his or her own story
  • third-person limited, where a narrator tells a story from one character’s point of view only, meaning that the audience/reader is not told of any events that this character is unaware of
  • third-person omniscient, where the narrator can relate what any of the characters are doing and thinking, and is not limited in what to present to the audience/reader

In film, first person and third-person limited effectively amount to the same thing: the audience gets only one person’s perspective on the story (there is also the first-person camera angle, but rarely is an entire film presented that way). In prose, first and third person is the difference between “I did this” and “she (or he) did that”. This is a stylistic choice. In the sense of what the narrator knows and tells, there is not necessarily much difference.

But potentially there is. A narrator who (more…)

Point of View

One of the most important choices an author must make concerns Point of View.

In storytelling, people use the term Point of View (or PoV) to refer to different things. We’ve narrowed it down to four definitions:

  1. The overall perspective from which a story is told
  2. The scene by scene perspective of a story
  3. The narrator’s point of view
  4. Attitude or belief of the author

Overall perspective

The entire Star Wars saga is, in very general terms, told from the point of view of the two characters that have least status: the robots C-3PO and R2-D2. They are not present in every single scene, but they are part of the overall course of events – and in a ironic tip of the hat to their function of providers of overall point of view, George Lucas has C-3PO relate the entire story so far to the Ewoks in Return of the Jedi.

George Lucas borrowed the idea from Akira Kurosawa’s The Hidden Fortress, which tells a story of generals and princesses from the point of view of two peasants. These two are involved in the action, but understand less about what they see going on than the audience does.(more…)

Story vs. Narrative

It’s the way you tell it

Narrative is the choice of which events to relate and in what order to relate them – so it is a representation or specific manifestation of the story, rather than the story itself. The easy way to remember the difference between story and narrative is to reshuffle the order of events. A new event order means you have a new narrative of the same story.

Narrative turns story into information, or better, into knowledge for the recipient (the audience or reader). Narrative is therefore responsible for how the recipient perceives the story. The difficulty is that story, like truth, is an illusion created by narrative.

What does that mean?

First, let’s state some basics as we understand them here at Beemgee: a story consists of narrated events; events consist of actions carried out by characters; there is conflict involved; one and the same story may be told in different ways, that is, have varying narratives.

Note that we are talking here about narrative in the dramaturgical sense – not in the social sense. Like the term “storytelling”, the word “narrative” has become a bit of a buzzword. We are not referring here to open “social narratives” such as “the American narrative”. We are pinpointing the use of the term for storytellers creating novels, films, plays, and the like. These tend in their archetypal form to be closed narratives with a beginning, a middle, and an end.

A narrative may present the events of the story in linear, that is to say chronological order or not. But the story remains the story – even if it is told backwards.(more…)

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